Although at first glance the viewer may think that Megan’s work only concerns the sentimental relationship between mother and child. But by looking deeper, other statements are seen. The child is never the passive monumental baby of countless religious statues, but a wriggling, pinching, moving child hot and heavy who at any moment will demand to be released to run away and play. Mothers never gaze at the child, but each is separate with attention focused independently.
Repeatedly Megan uses those around her, hoping to get close to capturing the living, breathing, reality.
When commissioned to do a portrait (often a double one) she looks for the unusual viewpoint or pose. Trying to capture a split second Megan talks to her subjects and observes their relationships. By knowing more about them, Megan hopes to get closer to their character and interaction.
Aswell as doing commissions, Megan also produces Madonnas for churches and cemeteries and believes that her most important work concerns world problems and the inhumanity of the human race. Often we are bombarded by images in the media of suffering and starvation and she produces artwork on this theme.

EXHIBITIONS
Tender, Gallery Different, London, 2013
Royal Society of British Sculptors Headquarters, London, 2000
Mall Galleries, RBA, London, 1987-1999
Battersea Affordable Art Fair Battersea, London, 1999
Society of Portrait Sculptors, Cork Street, London, 1999
'Homeless at Euston' selected out of all RBS members to appear in the boardroom at Dora House, RBS headquarters, London, 1997
Royal West of England Open Autumn Exhibition, 1997
1996: Royal West of England Open Sculpture Exhibition, 1996
Summer Exhibition, Royal Academy, London, 1996
Summer Exhibition, Royal Academy, London, 1993